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Mainstream popularity |
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Prior to its popularity, grunge was listened to mostly by those who played the music. Bands would play at clubs with very few people in attendance, most of which were from other performing bands. Others who listened to the music in those early days were often people who were "just trying to get out of the rain" as many attendants would claim. As bands began to issue albums, independent labels became the key catalysts in bringing the music to the local public. Many of the more successful bands of the era were associated with Seattle's Sub Pop record label, though several other independent Seattle-area labels gained recognition, including Olympia labels Kill Rock Stars and K Records. Other record labels in the Pacific Northwest that helped promote grunge included EMpTy Records, Estrus Records, C/Z Records, and PopLlama Records.[8][9]Sub Pop took their initial step towards popularizing grunge with the Sub Pop Singles Club, a subscription service that would allow subscribers to receive singles by local bands on a monthly basis by mail. This increased grunge's following locally, and allowed Sub Pop to become a powerful company in the local scene. According to Sub Pop founders Bruce Pavitt and Jonathan Poneman, grunge's popularity began to flourish after a journalist from the British magazine Melody Maker was asked by them to write an article on the local music scene. This helped to make grunge known outside of the local area during the late 1980s, giving the genre its first major spurt of popularity.[10] Mudhoney is often credited as having been the biggest commercial success for grunge during this time, and was the most successful grunge band until the end of the 80s.[11] Still, grunge would not become a huge national phenomenon Grunge fans in the Pacific Northwest believed that the media gave excessive importance to the clothing worn by grunge musicians and fans, along with other aspects of the local culture. Clothing commonly worn by grunge fans in the Northwest in its early years was a blend of the punk aesthetic with the typical outdoorsy clothing (most notably flannel shirts) of the region. The "fashion" did not evolve out of a conscious attempt to create an appealing fashion, but due to the inexpensiveness of such clothes and the warmth that they provided for the cold climate of the region. The media, rather than focusing on the music, would give this fashion a heavy amount of exposure. In the early 1990s, the fashion industry marketed "grunge fashion" to a widespread audience, charging relatively high prices for clothing that they assumed to be popular in the grunge scene. Similarly, the media would view grunge as a whole culture, assuming it to be Generation X's attempt to create a culture similar to the hippie counterculture of the previous generation. Rather than focus on the music, much of the media focused on other superficial aspects of the musicians and fans. An interesting case of this superficiality backfiring on the media was the grunge speak hoax, which caused The New York Times to print a fake list of slang terms that supposedly were used in the grunge scene. This was later proven to be a prank by Sub Pop's Megan Jasper. The excesses of this media hype would also be documented Many notable events happened during the "grunge era" of music that may not have happened had grunge never become popular. Alternative rock, previously heard mostly in local clubs, on college radio, and on independent record labels, became popular in the mainstream as major record labels sought out more previously obscure music styles to sell to the public. The traveling festival Lollapalooza came about as a result of this, with grunge being a major part of the 1992 and 1993 events. In the media's spotlight, grunge became part of the pop culture, most notably being a major part of the 1992 film Singles, which featured several grunge bands. Nirvana and Sonic Youth would star in a documentary film that same year, 1991: The Year Punk Broke. Riot grrrl, another hardcore punk offshoot that came into being in Western
Washington (and was thus often seen as the feminine equivalent of grunge),
became well known from the media coverage of the local scene. With such
punk derivative genres becoming popular, punk itself was able to make
a revival, as bands such as Green Day and The Offspring became chart-topping
successes. Independent record labels, which used to rarely have success
on level with major labels, were able to sell albums with equal or similar
success as the major labels (most notably in the cases of Sub Pop and
Epitaph Records).Soundgarden's Superunknown album coverHeroin use amongst
grunge musicians was also a serious problem for the continuation of some
grunge bands. Andrew Wood's death from an overdose in 1990 was the first
major tragedy for the grunge scene, bringing an end to Mother Love Bone.
Kurt Cobain's use of heroin is believed to have contributed to his death
(though whether or not it did was never confirmed)The deaths of Kristen
Pfaff of Hole and Layne Staley of Alice in Chains in 1994 and 2002, respectively,
were also caused by heroin overdoses. It is believed by many that grunge
effectively began its decline when Cobain died in Interestingly, Cobain
had often been photographed wearing t-shirts stating that "Grunge
is Dead."For many fans of the genre, it wasn't until the pioneering
band Soundgarden disbanded in that they finally conceded grunge's time
in the mainstream was over. Over the next few years grunge's mainstream
popularity quickly came to an end. Many grunge bands have continued recording
and touring with more limited success, including, most significantly,
Pearl Jam. Bands like Pearl Jam also have adapted their style to the ever-changing
music world. Grunge music still has its followers, and many of them still
express their fandom over the Internet. Grunge's mainstream following
still shows some continuation in the popularity of Nirvana's post-break-up
releases; the previously unreleased song "You Know You're Right"
became a chart topping hit
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